Dude, I’m gonna cut right to the chase. You will like this movie if you are:
A true fan of Keanu Reeves. I don’t mean “John Wick” Keanu. I mean “Point Break” Keanu. I’m talking “Dangerous Liaisons” Keanu.
Local artist, Patti Warashina, becomes first ceramic artist to receive 2020 Smithsonian Visionary Award
At 80, Patti Warashina has accomplished a lot and received many prestigious awards in her distinguished art career, but her latest achievement was the 2020 Visionary Award from the Smithsonian Institute. And, this is the first time it’s been awarded to a ceramic artist.
Netflix’s “Away” promotes diversity and working together to save the planet by leaving it
Beginning Sept. 4, we are going to Mars, again, or trying to, via the new Netflix series, “Away.”
Asian American girls saw pivotal icon in ‘Baby-Sitters Club’
Author Ann M. Martin had no master plan when she decided to make one of the core members of “The Baby-Sitters Club’’ a Japanese American girl named Claudia.
Hirokazu Kore-eda, Catherine Deneuve look for ‘The Truth’
Catherine Deneuve plays an icon of French cinema in “The Truth.’’ She even chose her own middle name, Fabienne, for her character who says things like, “I’d rather have been a bad friend and a bad mother and a great actress.’’
Asia Talks series highlights artists’ ways of coping with past and present moments
They say that art imitates life. Yet it does more than that. Art explains life, and art helps us understand our lives.
Review: “The Half of It”
One of the first things you hear from Ellie Chu, the protagonist of Netflix’s latest teen rom-com “The Half of It,” is: “This is not a love story.”
The Lovebirds: Don’t try this at home
Is your partner getting just a little too familiar? Feeling the doldrums of a love life that is all work and no play?
PBS’ “Asian Americans” explores prejudice and perseverance
A century of racist attacks detailed in the new PBS documentary series “Asian Americans’’ might have felt like ancient history just a few months ago.
“Driveways” — Three still figures, running deep
The most effective scenes in “Driveways” come quietly, which filmmaker Andrew Ahn understood, because he made most of the scenes come quietly.
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