Yun Theatre’s Christie Zhao was hardly prepared for the news that the government had rescinded the grant for Yun’s newest project, “Home.”
“Asian stories are universal stories”: Lauded Chinese American film producer Janet Yang reflects on journey to becoming Committee of 100’s new board president
Since the 1980s, Janet Yang has been making waves in Hollywood.
“Rice on Repeat” circus brings food, family, and friendship
“Before I started circus (training), I climbed in bouldering gyms for seven years.
New South Asian character joins ‘Peanuts’ universe
A new character is stepping into the world of “Peanuts” for the first time in decades.
Reinhardt Takeo Hollstein creates a new art form that encourages community connection
Reinhardt Takeo Hollstein has loved creating art since he was a kid. Practicality led him to choose a career in electrical work.
Rexa Han brings virtuosity to Vashon’s PianoFête
Rexa Han, an internationally acclaimed pianist and recording artist, will perform in PianoFête 2026—a beloved festival of two-piano repertoire unfolding July 8 to 11 at Vashon Center for the Arts.
Jon & Kate Plus 8’s Collin Gosselin to share untold story in new memoir
Collin Gosselin, the 22-year-old son of former reality television stars Jon and Kate Gosselin, has announced that he is releasing a memoir titled “In the Shadow of Eight: Surviving the Reality of My Childhood.”
JoySauce: AAPI drama and comedy, gunning for the Emmys
By Andrew Hamlin NORTHWEST ASIAN WEEKLY When she first moved to New York City to pursue acting and comedy, Ana Parsons’ family, she remembered, thought she was “cray-cray.” They wanted […]
New “He-Man” film brings diverse actors to its “Universe”
The paths to acting onscreen run diverse and multifarious. Just ask two of the leading performers in the new movie, “Masters of the Universe,” the latest re-launch of the sprawling fantasy series dating back to 1982.
Diwa Festival connects Filipinos the wide world over
For those who don’t remember video stores—they once existed, and they once linked movie lovers to films not in first-run theatres, when that was otherwise almost impossible.