Just like her mother, Ming-Na Wen will show you she cares through the love language of food.
David Mura’s ‘Exit, Miss Saigon’ chronicles how he became an Asian American artist
When “Miss Saigon” first came to the Ordway Theater in St. Paul, Minnesota in 1992, David Mura published a piece in “Mother Jones” critiquing the musical’s racist undertones and the arguments he’d been having with his white artist friends about it.
Yemie Woo has her national tour debut with “Water for Elephants”—coming to Seattle
Running away to join the circus.
Mengxi Seeley’s ‘Silk and Sensibility’ brings Jane Austen to Ming Dynasty China
Mengxi Seeley’s first introduction to Jane Austen was in 2007.
Diverse lineup of films and documentaries set for DIWA Filipino Film Festival
A Batman-themed film might be the last thing one would expect at the DIWA Filipino Film Festival, but that’s exactly what filmmaker Madonna Diaz-Refugia will proudly screen during the annual event, taking place at the Wing Luke Museum on Oct. 3 and Oct. 4.
“Forgotten Island” takes you to a land of Filipino magic where memories are made and lost
Filipino folklore is freaky, and that’s the fun of it.
Leslie Lum’s “Cat Country” couches confrontation in Cantopop
For Leslie Lum, long affiliated with Bellevue College, her creative work’s always been founded in the activism and resistance which marked her family for generations.
Ke Huy Quan talks about his new memoir, “Never Say Die,” at Seattle’s Town Hall
From “boat person” to Oscar award winner. It’s the way that people have described Ke Huy Quan.
Tae Keller: From Hawai’i to Seattle, with books
Writers surely sprout most anywhere, but Seattle’s own Tae Keller remembers the fecund soil of her native Hawai’i as most important.
“Best of the Best” showcases female friendship and Bollywood dance at a U.S. college
“Best of the Best,” a new Netflix movie, is a rare opportunity to find a nearly-all South Asian cast in a film set in the United States.