Author Ann M. Martin had no master plan when she decided to make one of the core members of “The Baby-Sitters Club’’ a Japanese American girl named Claudia.
Hirokazu Kore-eda, Catherine Deneuve look for ‘The Truth’
Catherine Deneuve plays an icon of French cinema in “The Truth.’’ She even chose her own middle name, Fabienne, for her character who says things like, “I’d rather have been a bad friend and a bad mother and a great actress.’’
Asia Talks series highlights artists’ ways of coping with past and present moments
They say that art imitates life. Yet it does more than that. Art explains life, and art helps us understand our lives.
Review: “The Half of It”
One of the first things you hear from Ellie Chu, the protagonist of Netflix’s latest teen rom-com “The Half of It,” is: “This is not a love story.”
The Lovebirds: Don’t try this at home
Is your partner getting just a little too familiar? Feeling the doldrums of a love life that is all work and no play?
PBS’ “Asian Americans” explores prejudice and perseverance
A century of racist attacks detailed in the new PBS documentary series “Asian Americans’’ might have felt like ancient history just a few months ago.
“Driveways” — Three still figures, running deep
The most effective scenes in “Driveways” come quietly, which filmmaker Andrew Ahn understood, because he made most of the scenes come quietly.
Crazy Woke Asians fight racism with virtual comedy
“At the start of [the virus outbreak,] we were in California, in Indian Wells. A girl on the street saw my husband and I walking in the street, and was loudly wondering what ‘the Asians’ were doing out. That we should be staying locked in and we already spread it.
“Fist of Fear” — boosts bogus Bruce Lee, brazenly
The first thing you notice about 1980’s “Fist of Fear, Touch of Death” is that its star, Bruce Lee, isn’t actually in it.
I think “Tigertail” is a snoozefest, but you may like it a lot!
“Tigertail” is a drama about a stoic and stern Taiwanese father who is emotionally estranged from his daughter. The film, which was released on April 10 by Netflix, flicks back and forth between the present day and the past to contextualize why this man is the way that he is.
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