World-renowned blind pianist Nobuyuki Tsujii of Japan played three sold-out concerts at Benaroya Hall from April 3 – 6, captivating audiences with his extraordinary talent.
Xian Zhang take the helm: Seattle Symphony’s new era begins
The Seattle Symphony has announced its 2025/2026 season, marking the debut of Xian Zhang as its next music director.
Seattle Symphony holds its inaugural Lunar New Year gala
The Seattle Symphony welcomed guests this past Saturday for its first-ever annual Lunar New Year gala at Benaroya Hall.
Seattle Symphony bids farewell to CEO Thiagarajan, welcomes acting CEO Yang
A week before the Seattle Symphony’s first-ever Lunar New Year gala, the Symphony’s CEO, Dr. Krishna Thiagarajan, announced he would be stepping down.
Midori headlines Seattle Symphony’s Lunar New Year Gala
Violin virtuoso Midori’s matter-of-fact affect and modesty bely a prodigious career that has taken her to the heights of her profession.
Seattle Symphony appoints Xian Zhang, Its first woman music director
The Seattle Symphony’s Board of Directors has appointed Xian Zhang as its next music director—she will be the first woman to lead a major West Coast orchestra.
Drum TAO celebrates 30th anniversary at Seattle Symphony’s Benaroya Hall
“Look at all these people on a Monday night!” exclaimed an audience member as the public filed into Benaroya Hall on April 22 to watch Japanese performers, Drum TAO, complete their 2024 North American Tour.
From childhood dreams to Stradivarius: Randall Goosby’s musical evolution
A young violinist who made his professional debut at age 9, and performed with the New York Philharmonic at New York City’s Lincoln Center at age 13, could understandably get called a prodigy, and could quite rightly think of himself as one.
Seattle Symphony’s ‘Celebrate Asia’ welcomes Quynh Nguyen
Classical pianist Quynh Nguyen grew up in Hanoi, after the end of the Vietnam War. Her parents worked in chemistry and science.
Beyond Ghibli: Joe Hisaishi’s residency lights up Seattle Symphony
Joe Hisaishi, famous for his work with Studio Ghibli, returned to the Seattle Symphony in January for a week-long residency, something Hisaishi has never done before with any orchestra.
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