The School for Good and Evil has got a problem with its curriculum. The school master is on a kind of permanent vacation, its teachers are uninspired, and its students are shallow and thoughtless (is that one thing?).
“Black Adam”: Stop preaching to me, comic book movies!
When does justice become revenge? If someone kills your family, and you go after them, is that justice or revenge? Also, do you put them in prison or go for the whole “eye for an eye” thing and kill them?
SAM American galleries get a makeover to include non-white art
Change is afoot at Seattle Art Museum (SAM) and it includes a recent re-do of their American art galleries to be more culturally and racially inclusive. What is America?
Jason Karman’s “Golden Delicious” look at growing up
Prize-winning film director Jason Karman came over from Indonesia, first to Calgary, then Vancouver, British Columbia. His earliest harsh memories revolve, not surprisingly, around snow.
“Reginald the Vampire” sucked away my will to live
“Reginald the Vampire,” which aired Oct. 5 on SYFY, is not worthy of its intentions. Unfortunately as well, the titular lead, Jacob Batalon (Spiderman’s sidekick), does not convincingly carry the show. Blame it on the writing and directing, maybe, because in person, Batalon is charismatic.
“Talk It Up!” talks and performs Asian positivity
“Talk It Up! Inspiring Asian Americans,” a live talk show, running September 23-24 at the Theatre Off Jackson, features, amongst other attractions, dramatic performers, musicians, comedy, dance troupes, and an Elvis impersonator.
‘Bros’: Finally, a romcom with an LGBTQ+ lens
“I forgot this was coming out today. That made me happy,” said the ticket taker as I went inside to watch “Bros,” marketed as a “boy meets bro love story,” which was released Sept. 30 to major theaters everywhere.
“Don’t Worry Darling” a surprise
Presenting: An article about “Don’t Worry Darling” that is actually about the movie and not about whether the four main stars are talking to each other and why.
Pacific Northwest Ballet celebrates 50th season featuring set design by the late Ming Cho Lee and dancer Angelica Generosa
The 2022/2023 season marks Pacific Northwest Ballet (PNB)’s 50th year on stage in Seattle. The Weekly spoke with co-founders and former artistic directors, Kent Stowell and Francia Russell, as well as principal dancer, Angelica Generosa, about the season opener, “Carmina Burana,” and its famous set designer, Ming Cho Lee.
Chinese-German filmmaker Eckelberg celebrates lion dancing, heritage, and dual cultures
Seattle filmmaker and lion dancer Han Eckelberg, of Chinese and German descent, grew up on South Beacon Hill. So each side of his heritage left him with indelible memories, starting with his Chinese side.
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