As you might well expect from a play called “The Brothers Paranormal,” certain thriller aspects of the paranormal goings-on have to remain hidden from the general public. But director Mimi Katano was willing to let a few pennies drop.
Folks showed up early and in long lines for the sneak preview in Seattle of Joon-ho Bong’s new film “Parasite,” winner of the prestigious Palme d’Or prize at the Cannes Film Festival. Bong’s seventh feature film, as a director, was the first film to win the prize with a unanimous vote from the judges, since 2013.
Right off the bat, you realize that “Raising Dion” does some things differently within the realm of the superhero genre.
Where Beauty Lies, the newest exhibition at the Wing Luke Museum, takes on the topic of beauty, particularly as it pertains to Asian Americans and Pacific Islanders (AAPI).
“When I was younger, I had a difficult time understanding what it means to be happa (half and half). What made me Japanese, and what made me Dominican? What does being American mean for a person such as myself? When my parents separated, my mother (Japanese) got custody of me, which is why I’ve spent most of my life exposed to Japanese culture. It wasn’t until later in life where I started to learn about Dominican culture through my Dad’s side in the Bronx, New York…
From “Sense and Sensibility” to “Crouching Tiger, Hidden Dragon,” Taiwanese director Ang Lee’s choice of movie genres runs the gamut, yet what makes him successful is his ability to probe deep emotions—and his insistence upon stunning visuals. Both of these are present in Lee’s latest endeavor, “Gemini Man,” starring Will Smith, Mary Elizabeth Winstead, and Clive Owen.
“Abominable” opens with a monster-eye view shot, fairly long, of the monster’s escape from a high-security detention area. Large, strong, and not verbal but capable of emotive grunts and hums, the huge beast fights its way to freedom, into the city beyond its prison—which, we learn quickly, is Shanghai, China’s most populous urban area.
On Oct. 12, after almost a year of being closed for construction, the Burke Museum of Natural History and Culture, located on the University of Washington (UW) campus, will re-open to the public in a new building.
Director and writer Lorene Scafaria based her new film “Hustlers” more-or-less on a true story, “The Hustlers at Scores,” an article by Jessica Pressler published in New York Magazine.
The master Iranian filmmaker Abbas Kiarostami (1940-2016) stuck to his filmmaking ways, even through his final illness, spending as much time as his health permitted on an abstract, feature-length project.