I haven’t read “Hallowe’en Party,” the 1969 Agatha Christie novel adapted by Kenneth Branagh into the new film “A Haunting In Venice.”
“Meg 2: The Trench,” a joint China-US endeavor, packed with thrills
I love the way “Meg 2: The Trench” starts out.
In new animated Monkey King movie, AAPI voice acting guarantees enjoyment
“I love it when people tell me what I can’t do.”
“In Between”: A striking, shifting look at migration
Yun Theatre’s new production, “In Between,” features seven short plays from seven different playwrights, all on the subject of migration. But the show’s director and Yun co-founder, Christie Zhao, affirms that the theme struck her close to home.
“M3GAN” — where Artificial Intelligence behaves like a dumb human
The entire time I’m watching “M3GAN” in the theater, I’m imagining not a brilliant computer mind scheming its next move, but a table of writers saying to each other, “Hey, how about she does this?”—and every single one of their ideas is a scary movie or robot movie cliché.
Review: A baby for sale in Korean drama ‘Broker’
The Korean drama “Broker” begins like a noir. A young woman walks slowly in the pouring rain in the middle of the night in Busan, her flimsy hood doing little to keep her dry.
Fraser and Chau in “The Whale”: beaching on a shore near you
Brendan Fraser and Hong Chau star in “The Whale,” a film by Darren Aronofsky that has already garnered 16 awards and 54 nominations for more awards.
“Avatar: The Way of Water” triggers longing for the simple, peaceful life
“Happiness is simple,” says Jake Sully. The problem with happiness, and Pandora, the planet where James Cameron’s “Avatar” and now “Avatar: The Way of Water” take place, is that if you “love it too much,” you can also lose it.
“Slumberland”: As much about the waking as the dream world
If I were the same age as “Slumberland’s” heroine, Nemo, perhaps around 12, this would have instantly become my new favorite fantasy movie. Netflix’s “Slumberland” has everything that a movie for youngsters on the cusp of adulthood should have—imagination, humor, enigmatic fantastical creatures, and dreams—everything we need to escape the hardships of real life.
In “The Menu,” revenge has multiple courses and even the hot dishes are cold
In “The Menu,” directed by Mark Mylod and starring Ralph Fiennes as chef Julian Slowak and Hong Chau as his loyal majordomo, Elsa, doom and discomfort are what’s for dinner.
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