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“Parasite” — The slow creep of societal bloodsucking

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Folks showed up early and in long lines for the sneak preview in Seattle of Joon-ho Bong’s new film “Parasite,” winner of the prestigious Palme d’Or prize at the Cannes Film Festival. Bong’s seventh feature film, as a director, was the first film to win the prize with a unanimous vote from the judges, since 2013.

“Abominable” — Amenable all-terrain ardent action

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“Abominable” opens with a monster-eye view shot, fairly long, of the monster’s escape from a high-security detention area. Large, strong, and not verbal but capable of emotive grunts and hums, the huge beast fights its way to freedom, into the city beyond its prison—which, we learn quickly, is Shanghai, China’s most populous urban area.

Ne Zha: A gorgeous mythological movie for the whole family

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“Ne Zha, a boy or girl?” A stranger asking this question would have quickly gotten a “Google it yourself” answer, but this was coming from the Russo brothers (directors of “Avengers: Infinity War” and “Endgame”) on Weibo after congratulating Yang Yu, aka Jiaozi, the director of “Ne Zha,” for breaking box office records in China.