By Andrew Hamlin Northwest Asian Weekly Frequently in “The Tale of the Princess Kaguya,” anime director Isao Takahata’s first film in 14 years, the edges of the frame seem unfinished, […]
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By Andrew Hamlin Northwest Asian Weekly Frequently in “The Tale of the Princess Kaguya,” anime director Isao Takahata’s first film in 14 years, the edges of the frame seem unfinished, […]