By Andrew Hamlin Northwest Asian Weekly “All characters appearing in this work are actual persons,” warns the fine print at the end of Apichatpong Weerasethakul’s new film, “Mekong Hotel.” “Any resemblance to other real beings, living or dead, is not coincidental.” It’s an odd, wry turn on the traditional disclaimer at the end of dramatic […]
Award-winning film from Thai director expertly defies conventions
By Andrew Hamlin Northwest Asian Weekly Thailand’s Apichatpong Weerasethakul, who turns 40 in July, began making feature films 11 years ago in 2000. Working outside the Thai studio system, he quickly established himself as an artistic maverick, with films rich in light and spirit.