Novelist and filmmaker Xiaolu Guo has a wonderfully deadpan sense of humor. This was evident in her previous book, “A Concise Chinese-English Dictionary for Lovers,” which revealed, in the form of a glossary, a fraught-with-misunderstandings romance between an untutored Chinese peasant girl, who comes to London to study languages, and the bisexual British aesthete whom she meets at the movies. Likewise, Guo’s feature debut as a director, the meta-comedy “How is Your Fish Today?” was a gentle satire about a Beijing hipster trying to succeed as a screenwriter, despite having none of his scripts make it past government censors.
Working within the emotionally associative forms of poetry and memoir, award-winning poet David Mura has already created a body of work that tackles head-on complex issues such as sexual desire and addiction, race relations and the unspoken consequences of U.S. WWII internment camps on later generations of Japanese Americans.
It is a story told in photos, of a childhood growing up in the ghetto of San Francisco’s Chinatown district. Because of a father who was largely absent from the family members’ lives, Foo’s mother worked 10 to 12 hours a day, six or seven days a week, in a sweatshop to support Foo and her five sisters. “Earth Passages: Journey Through Childhood” doubles as an autobiography and collection of nature photographs by author, attorney and activist Lora Jo Foo.