Hong Kong master director Tsui Hark’s early films showed viewers microcosmoses, inner workings—technically impossible shots that took the point-of-view inside a gun barrel, inside the springs and works, right before the trigger pull.
“The Taking of Tiger Mountain”
By Andrew Hamlin Northwest Asian Weekly Tsui Hark’s latest mega-action film, “The Taking Of Tiger Mountain,” calls, roughly halfway through, for a man to wrestle a tiger. Actually, the tiger […]