In honor of Mother’s Day, we asked some members of our community to share stories of their favorite food mom would prepare, or a time they embarrassed their mom or vice versa.
PICTORIAL: May 1 kicked off Asian-Pacific Islander Heritage Month in Seattle
This festival featured spectacular dances and artists from around the state, visual arts, hands-on activities, and the always popular Hum Bow Eating Contest with local celebrities.
Let your voice be heard
The Asian Counseling and Referral Services (ACRS)’s new Asian American and Pacific Islander (AAPI) Democracy Initiative needs your help to raise $200,000.
Board games inspired by Asia
It’s a warm April evening, and a group of friends have gathered for the Harvest Festival. They take turns placing floating lights upon the surface of a placid lake, collecting lanterns of various shapes, and making dedications in exchange for honor.
Business owner, UW alum gives back to alma mater
This fall, University of Washington students will be able to take classes at the historic Denny Hall, which has been under renovation since last summer.
Short stories: Lunar Chronicles, Nisei narratives, and the search for home
“Stars Above”
By Marissa Meyer
Feiwel & Friends, 2016
Just when we thought the adventures of Cinder and her ragtag gang of Lunars, Earthlings, and nonhumans were finished, Marissa Meyer returns with a collection of six short stories from the Lunar Chronicles universe.
Miku Expo 2016 North America kicks off in Seattle
In an era of auto-tune, lip-synching, pre-recorded vocals, pre-recorded imposter vocals, and huge video screens dwarfing human performs, Hatsune Miku has to be the next step in the evolution of live shows. She doesn’t actually exist.
The road to becoming a scenic designer
“I’m a dynamo as a boar,” said Mikiko MacAdams, a Japanese scenic designer.
She is visiting Seattle from New York as a designer for the sets of “Brownsville Song (b-side for tray),” a play that is being performed through April 24 at the Seattle Repertory Theatre.
Homage to B movie pioneer
He went from epitomizing the yakuza drama, to deconstructing the yakuza drama, to destroying his own career. When director Seijun Suzuki, 44 years old in 1967, turned in his film “Branded to Kill” to his employer— Nikkatsu Motion Picture Company promptly fired him. He didn’t direct again for 10 years.
A-pop! Spring Edition
There is an idiom about March that says it “comes in like a lion and [goes] out like a lamb.” While this refers to the weather, the expression is also relevant to the state of affairs in Hollywood — March started with a bang and ended on a cool and relaxed note. Read on to learn more about the lows and highs in pop culture last month.