Due to the relocation of the Downtown Neighborhood Service Center, biweekly office hours in the International District were discontinued, effective as of Monday, Aug. 25. The office is relocating to Pioneer Square.
The Pang brothers turned in a credible grimy thriller with 1999’s original “Bangkok Dangerous.” Eight years later, only the brothers and the city remain the same. Western screenwriter Jason Richman took the Pangs’ original and pumped up the volume, the budget and the violence, losing most of the pathos in the stampede.
Filmed in Spokane, Wash., Wayne Wang’s new film “A Thousand Years of Good Prayers” marks the director’s return both to independent filmmaking and to telling stories about the Chinese experience in America.
Working within the emotionally associative forms of poetry and memoir, award-winning poet David Mura has already created a body of work that tackles head-on complex issues such as sexual desire and addiction, race relations and the unspoken consequences of U.S. WWII internment camps on later generations of Japanese Americans.
The prevalent angle that much of the media has been spinning in the presidential election is their stress on the fact that, next year, we will either have a Black president or a female vice president. Either way – isn’t it fantastic how far we’ve come?
When I saw the degree of damage in Chinatown from vandalism today, I almost ventured out despite a heart condition, past my curfew, to mingle with what rowdies might be attracted here during days of serious moonlight.
Community leaders in Little Saigon and Jackson Place are glad their collective voices were heard and key issues have been worked out for the neighboring Dearborn Street Development Project. They have agreed not to oppose the construction of the $300 million multi-use commercial development before the Seattle City Council or in court.
On Friday, Aug. 22, Chanda Sovan was having a good day. That is until she received word of an unflattering Northwest Asian Weekly article about the organization that she is president of, Asian American Dragon Boat Association (AADBA). Sovan couldn’t believe it. The article depicted their pageant and race as rigged and said that a slur was thrown around casually.
Even the Fu lions guarding the gallery’s front doors were not fierce enough to deter vandals from covering them with what James Russell described as a “filmy” substance.
The 1960s were a formative time for a second generation Chinese American like Shawn Wong. As an undergraduate student at UC Berkeley, he joined the nation in trying to grasp the evolving notion of identity.