By Andrew Hamlin Northwest Asian Weekly Thailand’s Apichatpong Weerasethakul, who turns 40 in July, began making feature films 11 years ago in 2000. Working outside the Thai studio system, he […]
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NWAW at SIFF This week: relationships, relationships, relationships, and a kung fu mystery
Released to commemorate the 60th Anniversary of Battle of P’ohang-dong in the Korean War, this historical re-creation of those conditions satisfies on all the levels of the classic war movie.
NWAW at SIFF this week: the inspirational and the sad
Half Jewish, half Maori director Taika Waititi created a sensation in 2007 with “Eagle vs. Shark,” a romantic comedy with a decidedly New Zealand twist.
‘Panda 2’ thrilling, though underuses Asian actors
The original “Kung Fu Panda,” an animated film from 2008, gave us the enchanting, if unlikely, premise of an overfed giant panda (voiced by Jack Black) who struggles to master kung fu.
‘Hangover 2,’ best with Jeong onscreen
“The Hangover,” from 2009, brought new lows to the treasured American tradition of the raunchy, slimy, morally corrupt R-rated comedy.
In “13 Assassins,” personalities as interesting as the action scenes
“13 Assassins,” the new historical samurai epic from notable Japanese director Takashi Miike, opens with a samurai warrior committing hara-kiri, or ritual suicide.
Hard to breathe easy in this gripping tale of infidelity and imprisonment
“Breath,” the latest dramatic film from eccentric South Korean director Ki-duk Kim, begins with a prison inmate scratching on a wall with some kind of pen-shaped object.
Charismatic Donnie Yen is a ‘legend’ in his own right
“Legend of the Fist,” a sweeping historical epic from Hong Kong director Andrew Lau, begins with the dismal, gray battlefields of World War I.
“Devil” full of blood, guts, and little else
“I Saw the Devil,” a new horror thriller from South Korean director Ji-woon Kim, opens with a flurry of snow falling on a car windshield.
“Bay Rong” director ably navigates thriller
“Clash (Bay Rong),” the new spy thriller from Vietnamese director Le Thanh Son, opens with a flurry of action. In between fights and stunts
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