Guy Richie’s new action comedy “The Gentlemen” has one of those twisting, turning plots that’s hard to follow, and deliberately so.
The historical epic “Quezon’s Game” opens with a 1944 newsreel unfolding in a small screening room.
The Museum of History and Industry (MOHAI)’s exhibit “Beyond Bollywood: Indian Americans Shape the Nation” didn’t originate in Seattle. But MOHAI’s guest curator Amy Bhatt wanted to make sure that local audiences saw a special, unique version.
As you might well expect from a play called “The Brothers Paranormal,” certain thriller aspects of the paranormal goings-on have to remain hidden from the general public. But director Mimi Katano was willing to let a few pennies drop.
Folks showed up early and in long lines for the sneak preview in Seattle of Joon-ho Bong’s new film “Parasite,” winner of the prestigious Palme d’Or prize at the Cannes Film Festival. Bong’s seventh feature film, as a director, was the first film to win the prize with a unanimous vote from the judges, since 2013.
“Abominable” opens with a monster-eye view shot, fairly long, of the monster’s escape from a high-security detention area. Large, strong, and not verbal but capable of emotive grunts and hums, the huge beast fights its way to freedom, into the city beyond its prison—which, we learn quickly, is Shanghai, China’s most populous urban area.
The master Iranian filmmaker Abbas Kiarostami (1940-2016) stuck to his filmmaking ways, even through his final illness, spending as much time as his health permitted on an abstract, feature-length project.
Four views of a disco ball, stacked vertically. The ball itself has all the mirrored facets necessary to throw rainbow points of light around a room, but the photos are black and white, and the ball itself looks flattened, as if stepped on by a giant.
Intertwining history, psychology, emotion, and the hit music of yesteryear together in an ambitious dinner theatre project might seem like a big bite to take.
Ash Mayfair, born and raised in Vietnam and schooled in film at New York University, chose a story from her own family tree for her striking debut feature, “The Third Wife.”