The master Iranian filmmaker Abbas Kiarostami (1940-2016) stuck to his filmmaking ways, even through his final illness, spending as much time as his health permitted on an abstract, feature-length project.
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Shunji Iwai’s new animated feature “The Case of Hana and Alice” begins with a young girl dancing ballet in her room.
The challenge: Take a script about gay penguins, working with not-necessarily-gay penguins and human zookeepers, to save home, hearth, and hearts in a world on the brink of collapse—and make it funny, warm, accessible, and even kid-friendly.
Four views of a disco ball, stacked vertically. The ball itself has all the mirrored facets necessary to throw rainbow points of light around a room, but the photos are black and white, and the ball itself looks flattened, as if stepped on by a giant.
Intertwining history, psychology, emotion, and the hit music of yesteryear together in an ambitious dinner theatre project might seem like a big bite to take.
Ash Mayfair, born and raised in Vietnam and schooled in film at New York University, chose a story from her own family tree for her striking debut feature, “The Third Wife.”
“I am not from here originally,” confessed theatrical director Mathew Wright. “I’m not sure how long it takes to officially be considered a Seattlelite, but I certainly feel like one. I moved here in July 2011, so it’s been almost eight years.”
Memorizing a 68-page monologue might sound like an impossible mountain to climb. But for Filipino film star Jake Macapagal, that was all in a day’s work.
Very few folks grow up with not one, but two martial arts experts for parents. But for Mark Dacascos, who excels on the workout floor, as well as on the silver screen, that was all simply part of growing up.
Iranian director Jafar Panahi, widely praised by cineasts as one of the world’s great working directors, has grown steadily more bold since his country’s government banned him from filmmaking in 2010.