Award-winning author Shawn Wong grew up in an era defined by bellbottom pants, tie-dyed shirts and young revolutionaries screaming the mantra: “Peace, love and rock ‘n’ roll.”
For nearly 90 years, the University of Washington Press has been in the business of publishing books. For over half that time, Naomi Pascal has been at the forefront of the operations.
She excelled in mathematics when she attended elementary school in Cambridge, Mass. Her classmates thought she was weird for her unique academic ability.
Philip Lee is no stranger to the publishing business. Beginning in 1977, for seven years, throughout high school and college, he worked in a number of bookstores. Another seven was spent in marketing in the magazine publishing business at Conde Nast Publications in New York. He has worked for Glamour, Mademoiselle, Vanity Fair and GQ magazines. However, despite greatly enjoying the business, Lee wanted to work somewhere that reflected his culture.
Who could have imagined that a little girl in Japan experimenting with paper cutting would one day grow up to illustrate books and exhibit works of art in America? Aki Sogabe has dared to give voice to her artistic passion, transforming everyday images and forms into a beautiful collection of work that spans decades and oceans.
Meander through the aisles of your corner bookstore, and you’re bound to come across some intriguing titles. “The Best Places to Kiss in the Northwest,” “The Cancer Lifeline Cookbook,” or how about “Sleeping Bag Yoga”? These books share a common thread beyond just challenging convention. What may not be so apparent is that the person putting out these covers is Asian American.
Novelist and teacher Peter Bacho believes everybody has a story to tell. The Filipino American recalls his own humble beginnings, growing up poor in Seattle’s Central District in the 1950s. A juris doctorate, a master’s degree and two award-winning novels later, Bacho is now being honored as a pioneer who paved the way for Asian Americans in literature.
Seattle has no shortage of people who are well known within the arts community. The International District in particular has a number of outstanding leaders in the Asian American community. But both these communities owe a debt of gratitude to Mayumi Tsutakawa.
There is nothing like sex in Seattle on a Friday night: especially when you’re watching it live on stage.
“You do it every day because it’s the right thing to do.”