Iranian director Jafar Panahi, widely praised by cineasts as one of the world’s great working directors, has grown steadily more bold since his country’s government banned him from filmmaking in 2010.
If you enjoyed “Hero” or “House of Flying Daggers,” then this film should be right up your alley. Zhang Yimou is back with his latest film, “Shadow.”
“Hellboy,” director Neil Marshall’s reboot of the popular film series (derived from the comic books created by Mike Mignola), runs two hours and might well have been twice as good at three-fourths that length. I haven’t seen the first two films, but I’m led to understand they crackled with energy and moved fast.
“Long Day’s Journey into Night” is an extraordinary journey that left me speechless. It is hard to believe the director, Bi Gan, is only 29, and already completed his second major feature. Long Journey takes place in Kaili, located in southeast China, which just so happens to be Bi Gan’s hometown.
“Ash is Purest White” director Jia Zhangke is an internationally recognized film director and screenwriter from China. I started experiencing deja vu while watching the film.
The “Ip Man” film series, so far, kept fairly close to the legend (and to a certain extent, the life) of Ip Man himself, a real-life Cantonese master of Wing Chun. Ip Man dominated Chinese martial arts during the early half of the 20th century, and taught, among others, a young Bruce Lee.
King Hu, master of the wuxia (“martial heroes”) form of historical-epic Chinese martial arts film, had considerable cachet after his film, “A Touch of Zen,” finished in 1971. His next full-length project, “The Fate of Lee Khan,” would take the fists-and-feet fury in another direction.
“Captain Marvel” starts out with a tribute to Stan Lee, the mastermind of Marvel Comics, who gave the world, amongst many other superheroes, the current, female incarnation of Captain Marvel.
Good thing the movie title clarified that Alita was a Battle Angel because I had never heard of Alita before this movie. “Battle Angel Alita” is a Japanese cyberpunk manga created by Yukito Kishiro in 1990.
Of the many horror series that feature zombies as a theme, most of them share many of the same features and settings, but the South Korean Netflix original “Kingdom” sets itself apart from the standard formula.