Chang-dong Lee’s new dramatic film “Poetry” begins with children playing in weeds. Down the river, near the children’s play site, a large object drifts.
We Don’t Care About Music Anyway” is a documentary studying experimental musicians in and around Tokyo. Its structure is experimental in itself.
The Khmer Rouge, Cambodia’s ruling party from 1975 to 1979, killed more than 1.3 million Cambodian citizens, according to an analysis by Yale University.
The first installment of the “Neon Genesis Evangelion” film series (adapted from the Japanese science fiction TV anime) begins with eerie near-silence.
2010 gave us great Asian and Asian-related films from, quite literally, all over the map. Look for the following at your local well-stocked video store:
“Last Train Home,” the fascinating new documentary film by Lixin Fan, begins with a long, slow panoramic shot of thousands of people waiting for trains.
Early on in “A Matter of Size,” Sharon Maymon and Erez Tadmor’s dramatic sumo wrestling-romance-comedy, the movie’s hero, Herzl (played by Itzik Cohen)
Director Aaron Woolfolk’s dramatic feature, “The Harimaya Bridge,” filmed mostly in Japan, opens with a young Black man working on a painting.
“A Woman, a Gun, and a Noodle Shop,” the new film from Chinese director Yimou Zhang, is his first film adapted from a Western source.
“Mao’s Last Dancer,” directed by Bruce Beresford, tells the true story of Cunxin Li, a Chinese ballet star who comes to Houston, Texas in 1981 as an exchange student studying at the Houston Ballet. Li (played by Chi Cao, a dancer with the Birmingham Royal Ballet) steps off the plane to a welcoming committee lead by the Houston Ballet’s choreographer, Ben Stevenson (Bruce Greenwood).