By Thi-Le Vo Northwest Asian Weekly Just when we think we’ve leaned enough about the weapons used during WWII, a documentary entitled “On Paper Wings” draws our attention to a Japanese weapon many of us have previously not heard about, shedding light on an important part of American history that has been overlooked.
Week 3: Real life is a drag “The Red Race,” China/Germany Reviewed by Jason Cruz Do you ever wonder why the Chinese have great gymnasts at the Summer Olympics?
Week 2: Film reviews of those with a message “Kabei — Our Mother,” Japan Reviewed by Andrew Hamlin Japanese director Yoji Yamada’s 74th film abandons the samurai storylines he’s previously used. The film showcases his skill at telling a family-oriented story. The tale resonates between the mind and heart long after the end of the […]
Film reviews of the good, the great, and the ones you absolutely can’t miss “Daytime Drinking,” South Korea Reviewed by James Tabafunda
Directed by Zhang-ke Jia, “24 City” is a Chinese film that blends documentary and fiction. It opens with a grim tone: Factory workers heat and hammer metal, and shots reveal people lingering alone and in smaller groups. The film follows individuals as they recount the story of how a factory turned into an apartment complex, a reflection of how China modernized.
By Andrew Hamlin Northwest Asian Weekly “Please set your volume high,” urges Japanese director Go Shibata in his introduction for the DVD release of his second feature film, “Late Bloomer.”
The Internet Movie Database, with listings for roughly 755,000 films and TV shows, lists only four movies featuring the Hmong language.
“Slumdog Millionaire” opens with our hero, Jamal (Dev Patel), getting smoke blown into his face by a police interrogator. Then he gets his head slammed into a bucket of water, and electrical shock is applied to his feet. English director Danny Boyle always makes Jamal’s fast grin, quick mind and mischievous pranks fun to follow. However, he never reconciles this fun with the film’s often-devastating spin throughout India.
A languorous meditation on free will versus destiny, Chris Smith’s fine film “The Pool” traces a few weeks in the life of Venkatesh, a teenager who labors at a modest hotel in the dusty city of Panjim, Goa.
Thirty-five-year-old Japanese animator Makoto Shinkai often gets called “the new Miyazaki.” Having learned this, you should forget it. Hayao Miyazaki represents the gold standard of Japanese anime to the West.