It’s got an adorable hero from an iconic media brand who is voiced by a proven box office master at snark. But, somehow, “Pokemon Detective Pikachu’’ never really gets arresting.
Director Guy Ritchie has been getting criticized since everyone got a glimpse of the CGI Will Smith as a blue genie.
“The Sun Is Also a Star” is the film adaptation of Nicola Yoon’s 2016 young adult novel of the same name, about two young strangers who fall in love in the course of a day — the hitch being that one of them is set to be deported at the end of the day.
Very few folks grow up with not one, but two martial arts experts for parents. But for Mark Dacascos, who excels on the workout floor, as well as on the silver screen, that was all simply part of growing up.
The 2019 Stars on Ice tour presented by Musselman’s skated through Everett in May. The theme was “Unity” — written in large, rainbow-colored letters on the program cover. The performance line-up appeared to pay tribute through its costuming and choreography to the LGBTQ community and working Americans.
“I didn’t consider myself a funny person,” said Ye, before her life as a comic. “I’d say things about my life and people laughed. It was the way I thought about life that people just found funny.”
Iranian director Jafar Panahi, widely praised by cineasts as one of the world’s great working directors, has grown steadily more bold since his country’s government banned him from filmmaking in 2010.
If you enjoyed “Hero” or “House of Flying Daggers,” then this film should be right up your alley. Zhang Yimou is back with his latest film, “Shadow.”
“Hellboy,” director Neil Marshall’s reboot of the popular film series (derived from the comic books created by Mike Mignola), runs two hours and might well have been twice as good at three-fourths that length. I haven’t seen the first two films, but I’m led to understand they crackled with energy and moved fast.
In the new Seattle Opera Center, a quote by the Opera’s founder, Glynn Ross, reads in part, “We are not custodians of the old order. We are not curators of establishment art. We must be oriented towards the future…”