Pianist and keyboardist Masabumi Kikuchi, aka Poo Sun, aka Poo, was born in Tokyo in 1939 and died in Manhasset, N.Y. in 2015.
“Seattle, compared to different cities, is clean and safe.
Russian director Vitaly Mansky mentions upfront that his new film, theoretically a documentary, has a script provided to him by North Korean authorities. “Under the Sun,” shot entirely in North Korea, and made entirely under the authority of the totalitarian North Korean government, is designed as a propaganda piece.
Nickolas Vassili, the writer and director of “The United States of China,” stepped in front of the gathered crowd to give some background on the work. This was Friday night, July 8, at the Palladium at Hale’s Brewery, the first of three nights for the play. He explained that he was inspired to write from the film “Network,” invoking the famous line from the film, “I’m mad as hell and I’m not going to take it anymore.”
South Korea’s Hong Sang-soo carries a reputation as his country’s Woody Allen. Unlike Woody Allen, he’s never dated or married his stepdaughter, nor been caught up in child abuse allegations. But Hong makes films about older men, usually filmmakers like himself, chasing after younger women. In real life, he’s reportedly dating his leading lady from “Right Now, Wrong Then,” Kim Min-hee, who’s 34 to his 54.
Johnnie To’s “Three” opens with a surgery. Scheduled surgery, emergency surgery, the action doesn’t make it clear which — possibly some of both — with the circumstances left unstated.
Jakarta, Indonesia has, by Wikipedia’s reckoning, 9,607,787 people, making it one of the world’s largest cities.
At one point in Min Bahadur Bham’s “The Black Hen,” set in a small town in Nepal during that nation’s civil war, a small boy bends over, grasping his shins as a punishment from the schoolteacher, next to two boys enduring the same punishment.
At first, “Alone” looks like a case of voyeurism. Then it looks like a thriller, then a home invasion scenario, then supernatural.
Except for one quick, brutal, and negligible scene early on, “The Final Master” abides by that most sacred of martial arts film shibboleths: The challengers must attack the Master one at a time.